I feel the quiet spheres
depending from her palm;
they move among our
intermittent breaths
Friday, 29 April 2011
Wednesday, 27 April 2011
Cowper on Acer platanoides in Massachusetts
This maple's modest bloom, the green
That hazes naked limbs like dancers' gauze
Across our Wampanoag waters; green
Of calyx and corolla crowding out
The tiny gold of pistil-tips to trick
Or almost trick us into reading all
As common leafage. Yesterday I walked
Around the Kentish graveyard, Scituate,
Wherein the massy winds my bike had worked
Against to get me there had shaken down
A thousand maple blossoms, strewing them
Like wedding-toss among the figured stones.
That hazes naked limbs like dancers' gauze
Across our Wampanoag waters; green
Of calyx and corolla crowding out
The tiny gold of pistil-tips to trick
Or almost trick us into reading all
As common leafage. Yesterday I walked
Around the Kentish graveyard, Scituate,
Wherein the massy winds my bike had worked
Against to get me there had shaken down
A thousand maple blossoms, strewing them
Like wedding-toss among the figured stones.
Sunday, 24 April 2011
η χαρά του Πάσχα
Friend choose friend from
Shore-trash, sea-heave, crush, Kit
Smart calls out Creation's help in
Hymning Him. I concur, demur, praise
Her, a blur of lines – between tone & tone, reed &
Voice, taste & dream, here & now: Bill
Billings, nightingale, sang Boston in its
Eventide, before the Human Face for
Cinerary salix got exchanged, a dirty
Deal. In ink off photoglyph gravures that acid
Etched against resists of egg-white mixed
With dichromate of potash we can see &
Smell the rutted road, the horse, its
Shit, her shirt & skirt, his broad-mouthed
Grin. This luminescence is unboundable by
Any boneyard's moss; trees fruit for this, fill
Baskets – olives, almonds, apples, ten bushels
Excellent Endicott pears to Mr
Harts Horne for grave stoons. I
See the rise of dory against painter, see the
Rise of land against blue sky, of palmate
Maple, pinnate oak, and Absalom in cambium ever
Dying inward, ever swelling outward, weaving
Wood.
Shore-trash, sea-heave, crush, Kit
Smart calls out Creation's help in
Hymning Him. I concur, demur, praise
Her, a blur of lines – between tone & tone, reed &
Voice, taste & dream, here & now: Bill
Billings, nightingale, sang Boston in its
Eventide, before the Human Face for
Cinerary salix got exchanged, a dirty
Deal. In ink off photoglyph gravures that acid
Etched against resists of egg-white mixed
With dichromate of potash we can see &
Smell the rutted road, the horse, its
Shit, her shirt & skirt, his broad-mouthed
Grin. This luminescence is unboundable by
Any boneyard's moss; trees fruit for this, fill
Baskets – olives, almonds, apples, ten bushels
Excellent Endicott pears to Mr
Harts Horne for grave stoons. I
See the rise of dory against painter, see the
Rise of land against blue sky, of palmate
Maple, pinnate oak, and Absalom in cambium ever
Dying inward, ever swelling outward, weaving
Wood.
Saturday, 23 April 2011
Anteater
Tides trending outward complicate the land. The chug of an overburdened Hampton boat cuts a track into the heavy liquid element, setting up an off-rhyme against the matters of a growing shore.
Tuesday, 12 April 2011
From this village to the next is only three Petersburg versts (fifteen hundred arshins, a quick walk): but your little apple-house where I want so badly to visit you — regularly, regularly! — is fifty or sixty whole seventeenth-century versts away! If we compose the village in our hearts it will not hurt us so much that we are not homesteading in it. If I take a well-weighted little machete — one of those ones they sell at the ferretería by parque Morazán, the blade not more than fifty or sixty barleycorns long — and I whack & thwack a while on a split-out piece of heartwood pruned off your big old Collins tree, the one behind the outhouse, and Lou loans me her crooked-knife, I could work up a good set of spoons for us all to use with the star-&-heart guacales for our birthday soup Sunday.
Thursday, 17 March 2011
Springtime in Dagestan
The fluky string band in Sóller hacked out a Xenakis quartet last night with appropriate proportions of gravity, levity, gravidity, and levantinity in spite of all their technical failings. I walked home happy. I love this time when the snowbanks sink. The land swallows them like an ocean & becomes itself a matter for swimming through. Sap-fires steep muddly clothes in hackmatack smoke & Molly MacDougall muddles mint in perennial rum-warmth of the heart. I exchange the Black Sea for the Caspian; I am a trader; flux stagnates, a challenge to diction; on the western shores of this sea I pine for the western shores of that sea, meanwhile gathering resins and chewing them, spitting gladly, conditioning horsehair for saw-song. See-sawing thus, I make a habitation of Spring.
Sunday, 6 March 2011
Monday, 21 February 2011
Saturday, 19 February 2011
Friday, 18 February 2011
Sunday, 13 February 2011
Thursday, 10 February 2011
Wednesday, 9 February 2011
Sometimes the streets' gridding gauze seems just the thing to encase this throb. Lines running out otherwards starch the punctum of me. This tiny slipping site of me. My bicycle is a mystery I've learned to collaborate with. Cars gnash & noxify on all intimate quarters, architecture tips up to blue & sun, pitted avenues in grimy ice-rim gripe against too tattery tyres; and I arrive, hot in the blasty chill, bright-eyed, breathing, leave my machine in the street & enter at the appointed door.
Friday, 4 February 2011
BENJ GERDES
Wednesday, 2 February 2011
Владиимир Владиимирович Набоков
Tuesday, 1 February 2011
Tuesday, 25 January 2011
Sunday, 23 January 2011
Saturday, 23 October 2010
Tuesday, 17 August 2010
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